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Friedman BE-OD Deluxe Guitar Effect

4,55
Black friday

Friedman BE-OD Deluxe Guitar Effect

4,55
Dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over. The original Friedman BE-OD single channel pedal took the industry by storm. This BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The...
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In stock 2 pcs.
Shipped tomorrow ,
2024-11-29
Guitar Effect Friedman BE-OD Deluxe Guitar Effect

Friedman BE-OD Deluxe Guitar Effect

£ 227
£ 261
- 13 %

Product code: BE-OD-DELUXE | ID: 299112

Friedman BE-OD Deluxe Guitar Effect

Dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over. The original Friedman BE-OD single channel pedal took the industry by storm. This BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The top row (Channel 1) is identical to the original BE-OD pedal while Dave voiced the bottom row (Channel 2) with slightly lower gain. Dual "BE" channels in your arsenal allow you to perfectly set both your rhythm and lead sounds. The BE-OD Deluxe delivers authentic tube amplifier sound with the controls needed to shape your tone. Controls include: 3 position tight switch, volume, gain, bass, middle, treble and presence knobs. These responsive controls will take you from mild overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse, the BE-OD Deluxe is a must have pedal for any tone enthusiast. Specifications: Authentic British Overdrive Tones based on the Legendary "BE-100" tube head; Dual Channels with Volume, Gain, Bass, Middle, Treble and Presence; Three Position Tight Switch (per channel); Includes Splitter Cable for 18V Operation (connect to power supply via 2 x 9V isolated outputs); True Bypass Switching; Powered by 9V-18VDC (no battery) (18V = greater headroom)
Controls

Controls

  • Bass
  • Treble
  • Middle
  • Gain
  • Tight
  • Pres
  • Volume
True Bypass

True Bypass: Yes

It has a true bypass function, which ensures that when the effects are turned off, the signal passes directly through the unit without influence or degradation.

Suitability

Тype

Inputs and Outputs

Inputs

Outputs

Power supply

Power Supply

Accessory

UK/EU Power supply included

No

Country

Made in

USA

4,55 / 5

Based on the number of reviews: 3

5 2
4 1
3 0
2 0
1 0

All reviews come from verified customers who have purchased a product from us in the past.

D

David Š.

cz Flag

Czech Republic

30.11.2023

Krabičku jsem pořídil ke svému kombu BOGNER SHIVA 6L6 abych získal více versatility a jsem velmi spokojen. Používám v kombinaci se zkreslením BOGNER a s minimálním zkreslením Friedmana jako dodatečný boost nebo i na čistý kanál s Friedmenem vytočeným něco přes půlku. Dá se s tím hrát všelijak, ty dva nezávislé kanály, přepnutí jedním tlačítkem, jsou super věc. Celkově zní moc pěkně. Zpracování taky skvělé. Používal jsem dříve BOSS SD-1 jako boost a jsem rád že jsem upgradoval na Friedmana. Zvuk dostanu podobný jak v kombinaci s BOSS-em když chci + mnohem, mnohem více.

I bought the box for my BOGNER SHIVA 6L6 combo to get more versatility and I am very satisfied. I use it in combination with BOGNER distortion and with minimal Friedman distortion as an additional boost or even on a clean channel with Friedman dialed a little over halfway. You can play with it in all kinds of ways, the two independent channels, one button switching, is a great thing. Overall it sounds very nice. The processing is also great. I used to use a BOSS SD-1 as a boost and I'm glad I upgraded to the Friedman. I get a sound similar to when combined with BOSS when I want + much, much more.

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D

Daniele R.

it Flag

Italy

24.09.2023

A

Attila László P.

hu Flag

Hungary

05.10.2020

Régóta keresgélek mindenféle torzítókat. Próbálgattam jó párat, mindig változott a boardom. A nehézségem abból adódott, hogy mindenféle műfajban dolgozom, és kellett volna egy "minden helyzetben bevethető" cucc. A sok kutatás után két jelölt maradt állva, ezekből választottam a BE-OD Deluxeot. Nagyon nem bántam meg! A két csatorna nagyon jól kiszolgálja az igényeket a hangerő potival visszatekert kicsit túlvezérelt hangzásoktól a hard rockos hasítástól egész a metálos riffekig. Érzékenyen reagál a pengetés dinamikára, jól lehet vele dolgozni. A Tight kapcsolót szeretem, mert a hang alját kordában lehet vele tartani. A Presence poti furcsán kicsi, de egyszer beállítottam, azóta nem nyúltam hozzá. A csatornánkénti közép állítási lehetőség külön tetszik, ezért piros pont jár. Én az elejétől 18 volttal használtam, így nagyon telten szól. A kapcsolói zajtalanok, stabilnak tűnnek. méretét tekintve nagyobb egy átlagos pedálnál, de én két külön pedált cseréltem le rá (egy overdrive, és egy distortion), mindkettő feladatát maradéktalanul ellátja, ráadásul azonos karakterű a két csatorna, csak a gain állások mások, így nem "lóg ki" egyik sem a zenekarból. Még nagy torzítás mellett is elég zajtalan, és tiszta, érthető a megszólalása. A pengetés erősségével még nagy gain mellett is lehet szabályozni, hogy pl egy akkord hangjai mennyire szóljanak külön. Ha nagyon meg kellene próbálnom valami negatívat is írni róla, talán a nagyon kiálló szabályzókat kritizálnám, kicsit félek a színpadon, nehogy lerúgjam őket. Emellett az ára sem kevés, de amennyit már elköltöttem különféle torzító pedálokra, merem mondani, hogy elsőre ilyet kellett volna venni, és ugyanott lennék anyagilag. :)

I've been looking for all kinds of distortions for a long time. I tried quite a few, my board always changed. My difficulty came from the fact that I work in all kinds of genres, and I needed something that could be used in all situations. After much research, two candidates remained, and I chose the BE-OD Deluxe. I really didn't regret it! The two channels serve the needs very well, from slightly overdriven sounds turned back with the volume pot, from hard rock shredding to metal riffs. It reacts sensitively to the dynamics of plucking, it is easy to work with. I like the Tight switch, because you can control the bottom of the sound with it. The Presence pot is strangely small, but I set it up once and haven't touched it since. I especially like the option to adjust the center for each channel, which is why there is a red dot. I used it with 18 volts from the beginning, so it sounds very full. Its switches are noiseless and seem stable. in terms of size, it is larger than an average pedal, but I replaced it with two separate pedals (one overdrive and one distortion), both of which do their job perfectly, and the two channels have the same character, only the gain settings are different, so none of them "hangs out" from the band. Even with high distortion, it is fairly quiet, and its sound is clear and understandable. With the strength of the strumming, even with high gain, it is possible to control, for example, how separate the notes of a chord sound. If I really had to try to write something negative about it, maybe I would criticize the very prominent controllers, I'm a little afraid on stage, lest I kick them. In addition, the price is not small, but as much as I have already spent on various distortion pedals, I dare say that I should have bought this one in the first place, and I would be in the same place financially. :)

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